ProGun 2 was professionally designed to work seamlessly inside of Final Cut Pro X. Simply apply a preset to the footage, select an area, and track! Completely bypass the tediousness of manually key-framing movement with automatic tracking from Pixel Film Studios. Each section offers intuitively designed parameters built-in Final Cut Pro X.īuilt-in tracking functionality makes following the movement of gun barrels an absolute breeze. Customize the glow, hue, saturation, opacity, blur, fire amount, smoke and more. Select from either single or multi muzzle fires, each one with its own individual style. ProGun 2 offers 36 customizable presets to give any action video with some extra flare. Each published parameter can be key-framed so that they move in sync with footage in Final Cut Pro X. Using ProGun, users also have the ability to combine muzzle flashes on the same shot. Find the perfect angle for the muzzle flare to best fit any footage. ProGun 2 has the ability to be fully rotated in 3D space. This is not an issue when using VFX to add muzzle flashes.įor the final shootout in Scarface, one of the best gangster films ever made, director Brian De Palma wanted the gunshots from Tony’s “little friend” to feel extra big and powerful.Description Auto-Tracking Muzzle Flashes with ProGun 2 With fully automatic weapons, missing some muzzle flashes is nearly guaranteed. Or it might not even be discovered until the footage has already been processed and, by then, it may be too late. This can eat up time and money to film additional takes. It is possible for a camera to miss a muzzle flash since it happens so quickly. But it can also lead to concerns of noise pollution when filming in public/crowded areas and can be a challenge for the recording of clean production audio.Īlso worth taking into account is a camera’s shutter speed and frame rate. A loud bang can help actors sell their performances and nail the timing of gunshot reactions.
This loud bang can be both a boon and a hindrance. There are other considerations to take into account when using blanks, such as the sound produced by blanks, which is at a decibel level comparable to actual gunshots. This helps ensure a level of realism and to understand the proper level of exaggeration needed for the screen. To design VFX or SPFX muzzle flashes, it’s important to have a basic understanding of what real muzzle flashes look like. Muzzle flashes aren’t purely a cinematic invention, but they are certainly bigger and, pardon the pun, flashier than their real-life equivalents. green screen FX Muzzle flares in real life Next, let’s explore how real-life muzzle flares differ from movie muzzle flashes. So, be sure to speed the footage up if you are using it in a scene taking place in real-time, otherwise it will look unnatural. Adding smoke and glow is a bit more complicated, but we’ll get into that later.īefore we jump into instructions for carrying out muzzle flash VFX in Adobe After Effects, a quick pro-tip: VFX assets are often recorded and released in slow motion. The good thing about doing a quick and simple muzzle flare is that the flash can technically be a still image since it will only be on screen for a frame or two. What is muzzle flash? Other muzzle flash effect considerations